Tuesday 21 August 2018

Frank barrett's 'Provocative competence'

The concept of 'Provocative competence':

“Many veteran jazz musicians practice provocative competence; they make deliberate efforts to create disruptions and incremental re-orientations. This commitment often leads players to attempt to outwit their learned habits by putting themselves in unfamiliar musical situations that demand novel responses.  Saxaphonist John Coltrane is well known for deliberately playing songs in difficult and unfamiliar keys because “it made [him] think” while he was playing and he could not rely on his fingers to play the notes automatically.  Herbi Hancock recalls that Miles Davis was very suspicious of musicians in his quartet playing repetitive patterns so he forbade them to practice.  In an effort to spur the band to approach familiar tunes from a novel perspective, Davis would sometimes call tunes in different keys, or call tunes that the band had not rehearsed.  This would be done in concert, before a live audience.  “I pay you to do your practicing on the band stand,” Hancock recalls Davis’ commitment to “Keeping the music fresh and moving” by avoiding comfortable routines.  “Do you know why I don’t play ballads anymore?” Jarrett recalled Davis telling him.  “Because I like to play ballads so much (Carr, 1992, p. 53).” [Barrett, 1998, p. 609]

See 'Yes to the Mess' by Frank barrett.

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